Showing posts with label body show benefit. Show all posts
Showing posts with label body show benefit. Show all posts

Tuesday, November 2, 2010

the body show benefit: spotlight on b. frayn masters


Yikes, well, I never expected that one day I would be posting on here about creative - ahem - shaving. But with a theme like food, sex and identity, I had to know that my spotlights for The Body Show Benefit were going to get a little blue. I've seen a public "reading" of the below piece, and it was wildly funny. I think it needs no more introduction than that. As always on these spotlights, the next voice you hear will be Nora Robertson. Giving us a little teaser for the always-hilarious B. Frayn Masters.


Need some advice on how to groom “down there”? Check out some fresh ideas in this illustration from “The Pubic Zone.” Back Fence producer and one half of all-girl comedy duo Eastland Academy, B. Frayn writes for Girls Gone Wild magazine under the name of Cherry Daniels, a 22-year-old co-ed. See if she gets up to similar shenanigans at Wednesday’s:

The Body Show Benefit.

Someday Lounge

door at 7PM, 7:30-9:30PM,

$5-15 donation

Tuesday, October 26, 2010

the body show benefit: spotlight on brad fortier


It's number four in my series on stealing things off of Nora Robertson's website to shamelessly promote The Body Show Benefit, an event I'll be reading in, along with some amazing writers and performers, on Wednesday, November 3rd. Come on, people! Donut-eating contest! OK, the next voice you'll hear will be Nora...


Brody Theater’s Brad Fortier recently was invited to Amsterdam to give a talk on the Anthropology of Improvisation for the 2010 Applied Improvisation Network conference. Besides being somewhat jealous of his being in Europe, where they serve fries with mayonnaise, I also was super intrigued by his interview on the anthropological roots of improvisation.

Check it out here.

Brad is something of an anthropologist, in fact. Brad holds an MA in Interdisciplinary Studies from Portland State University focused on the anthropology of improvised theater. His book, Long-Form Improvisation: Collaboration, Comedy and Communion, is a social science analysis of, well, long-form.

As an anthropologist, Brad bounces between doing archaeological contract work for Willamette CRA and continuing his ethnographic studies of improvised theater. His performance career has included shows in the US, Canada, the Netherlands, Belgium, Germany, Austria, and Slovenia. He is also known for his duo work with Fort Hal and Uncle Trouble with comedy partner Nate Halloran. Brad can also be found onstage with Icarus and, occasionally, Funnybusiness PDX. He is the Education Director for the Brody Theater in Portland, where he has been teaching since 1998. Brad has also directed several shows for the Brody Theater: The Bards - an improvised musical, Generic Hospital – an improvised soap opera, and Starhole 3060. He also directed “SexyNurd” in Portland’s 2010 ‘Fertile Ground’ Festival of new works.

For more of Brad’s work, check out his collaboration here with director Alden Morgan, or, on a more frivolous note, come see him eat doughnuts stylishly for the Body Show Benefit’s Voodoo doughnut eating contest, Wednesday, Nov. 3rd, Someday Lounge, door at 7PM, 7:30-9:30PM, $5-15 donation

Friday, October 22, 2010

spotlight on the body show benefit: girl in cake


Less than two weeks from the Body Show Benefit, and over on Nora Robertson's website, she's included an excerpt from the story I'll be reading, along with a graphic I put together in a frenzy of frosting and photoshopping, to commemorate the upcoming event. [The next voice you hear will be Nora's...]


A woman decides to jump naked out of a cake to surprise her husband for their anniversary, and quickly ends up baking hundreds of sheet cakes. Gigi Little’s writing has appeared in the anthologies Portland Noir and The Pacific Northwest Reader, and she has written and illustrated two children’s picture books, Wright Vs. Wrong and The Magical Trunk. She works as In-Store Merchandising and Promotions Coordinator for Powell’s, and before moving to Portland, she spent fifteen years in the circus. To hear more of this story, check out Gigi at the Body Show Benefit, Nov. 3rd, door at 7PM, 7:30-9:30PM, $5-15 donation.

EXCERPT

I never thought I’d be the kind of person who’d like frosting a cake in the nude. But, oh, I do. First is the smell of the sugar all around. Then there’s the way it feels. Trust me, if you think running a knife along frosting is kind of sensual, try doing it with nothing but air against your skin.

I say cake, but actually this is one of those giant novelty cakes a girl hides in and then jumps out of in a pink teddy. Or in my case, naked. Naked because today is our fifth wedding anniversary, and I don’t just want to celebrate, I don’t just want to give Andy a little surprise. I want to make an exceptional gesture.

That’s what he called it when he bought me that dress, the red one that cost like five hundred dollars. He could have bought me the sweater I asked for, but he wanted to make an exceptional gesture. So, this year, I’m doing something special for him. Something classy. I’ve got a bottle of thirty dollar champagne and the table in the corner is set with silver and candles. I constructed this cake all by myself—could have rented it from a costume shop, but then it might not have even had real frosting and definitely would not have been an exceptional gesture—at least not nearly exceptional enough.

Almost seems like I should open the champagne and have a tiny toast before Andy gets here. Because, if I do say so, this cake looks great. Well, mostly it looks like I frosted the washing machine. I tried to make it round, but somehow it came out with corners. Oh, it’s way wider than a washing machine and goes all the way up to my chin, so even if it’s not completely cakelike, at least it’s enormous. Guess it’s also kind of lopsided. But as soon as I decorate it with rosettes, it’ll be perfect.

I take the knife across the living room to the table. Balance it butt-end on the edge so the icing won’t get all over the tablecloth. The bottle is hard and a little wet—I twist the cork, let it pop, and wow—I never noticed before, but opening champagne is sort of suggestive of something. I don’t want to smudge the crystal glasses, so I swig right from the bottle. Shimmery crisp. A different sort of sensual from the soft of the frosting knife, different from the chill air on my skin. It’s an icy prickle of sexy in my mouth, so I’ve got to take another swig.

Frosting a cake naked does take some restraint. If you’re not careful, you might end up wanting to roll your body all over that smooth, lovely frosting. So I step back. Just in case. Andy’s not due for another fifteen minutes at least, but who can say when he’s driving all the way from Seattle. That’s the real reason I’ve got my clothes off. The minute I hear his key in the lock, I’m taking a nose dive into that cake. The thought that he could show up any second makes a tingle like champagne in my stomach. Makes me want more. So I go and pour myself exactly half a glass and take it back the couple steps to the cake. Then I drink it down in one go. Which feels a little excessive, but I have to keep my hands free for my work.

Usually these big novelty cakes are made out of wire and cardboard or something, but mine is an exceptional gesture. Andy always says I go overboard when I get excited, but this time he’s going to have to admit it’s worth it. How can a woman hope to be sexy jumping out of a cake made out of wire and cardboard? If you want to be sexy, you want to go real all the way. And what could be sexier than cake?

Sunday, October 17, 2010

the body show benefit: spotlight on margaret malone


Part two in my series of stealing stuff from Nora Robertson's website! She's giving little previews prior to the big Body Show Benefit, which is coming up on November 3rd at Someday Lounge. I'm excited to post this particular preview as Margaret Malone is one of the best writers I know. Spare, smart, funny. Check her out. [Nora's voice to follow...



A couple is running late for a medical appointment which turns out to involve an exam and a doctor in knee-high boots about to go on African safari. Oregon Literary Fellow Margaret Malone and filmmaker Brian Padian recently released a short film Brian adapted from her short story by the same title, “I’m Your Man.” Cinematography by Scott Ballard, song by Joe Haege, performers include Christine Calfas and Karen Hepner. Real-life couple Margaret and Brian are also collaborating on a memoir about Brian’s survival of a brain tumor, The Year of Travel & Good Fortune.

Take a gander at a clip of the film here.

Also catch Margaret reading more of her hot fiction at the Body Show Benefit on Nov. 3rd at Someday Lounge. Performers include Arthur Bradford, Gigi Little, B. Frayn Masters, Nathaniel Boggess and Danielle Fish, and there will be a Voodoo doughnut contest judged by style points. Door at 7PM, 7:30-9:30PM, $5-15 donation.

EXCERPT: I’m Your Man

We sit in the small room. It is already crowded. Bert is on the papered exam table and I’m on a loveseat smooshed into the corner. The loveseat is pink pleather cushions and wood arms and legs, like something out of a medical office furniture catalogue under the heading – Make Your Patients Feel Right At Home – only of course it doesn’t, because our home does not look like the exam room of a urologist.

I am still holding everything, coats, purse, coffee in a jar. I heave the pile over onto the cushion next to me, unscrew the jar lid and, praise god, I hit the coffee, three big sips.

On the wall is a poster of inside a penis, capillaries and vessels in sharp reds and blues. Next to that in the corner is the mandatory metal sink with a tall-necked faucet like the top of an f, stinky-clean medical handsoap, automatic paper towel dispenser, and above all that on the cabinet door is a sign that says, We’re all in this together.

Bert says, “I’m nervous.”

I say, “There is nothing to be nervous about.”

He says, “What if the doctor wants to cut my penis open?”

“That’s crazy,” I say. “You sound crazy. It’s just an office visit.”

I am not as understanding as I could be.

This is when the door opens and a woman with a long face like a summer squash walks in. Straight dark blond hair, low cut black sweater, short black skirt, black stockings, and black knee high boots. Obligatory white coat.

She says, “I am Dr. Foote.”

Her voice like the edge of a serrated knife.

She will not look us in the eyes for more than a small part of a second, so when she speaks to us she speaks to her clipboard.

She says, “We don’t have much time.”

“I’m sorry,” I say. “We didn’t have any idea how far away it was.”

Her lips spread a bit. A smile, maybe. Her dark eyes meet mine for a moment.

“This will be a short appointment,” she says. “I have other patients.”

She lowers herself onto a round black stool. The wheels squeak as she settles in.

Without moving our bodies, Bert and I look at each other. Look back at Dr. Foote.

The three of us sit in the shape of a triangle. Dr. Foote, on her stool. Me, on the loveseat. Bert, legs dangling from the papered exam table.

I take another hit of coffee from the jar. I drink too fast and it gets caught in my throat. When I am done coughing, Dr. Foote speaks.

To her clipboard she says, “How long have you been trying?”

Bert and I look at each other. Our voices hopscotch.

Me, “One year.” Bert, “About a year.”

Dr. Foote writes on the clipboard.

She says, “Your hormone tests came back and everything looks normal, slight elevation of Prolactin. Doesn’t mean anything though.”

Sound of a page turned in the file. Paper creased by a hand. Scratching of pen onto paper to test the ink. She is in love with that clipboard. If it disappeared, she would have to actually look at us.

To Bert up high on the exam table, she begins her barrage of questions. She says, “Do you smoke?”

“No.”

“Drinking, how much per week?”

Bert says, “Per week? Maybe seven drinks?” His eyes meet mine. “Ten?” he says. Sure, ten sounds good. No need to tell the doctor that Bert drinks like a dock-worker.

Dr. Foote crosses her legs revealing her black stockinged knee above her boot. She says, “Any street drugs?”

Bert says, “No.”

Dr. Foote’s dark animal eyes swing my way. My stomach does a flip flop.

“Not even marijuana?” She says this to me even though she’s talking to Bert, like I am his pusher, like I’ve got a nickel bag in my purse and I’m just waiting until she leaves the room so we can get high.

Bert swallows. He says, “No.” Bert says, “Not anymore.”

“And you don’t wear tight pants do you? On a regular basis? Bike shorts? Or what have you?”

The squeak and click of the stool’s metal wheels against the hospital floor. She pushes a little bit forward, a little bit back to find the right spot before she continues. Jar of coffee in my hand which I see now is ridiculous. I’m not relaxing at a café on the Seine. I chug the rest, put the lid back on and set it down on the floor.

Dr. Foote says, “We got the results of your semen analysis. Your count is slightly lower than normal.”

Bert says, “Right.” We’ve heard this all before.

She says, “That’s not a huge deal.”

She says, “Your motility is a bit low and your percentage of normal sperm is quite low.”

Bert says, “Right.”

We have not heard this before.

We don’t know what this means. What does a normal sperm act like? I picture Bert’s wayward sperm, painting its fingernails black, getting a tattoo.

She swivels to the loveseat, her eyes land on me. She says, “And everything with you is functioning normally? Ovulating? Healthy?”

Dr. Foote’s squash face is already back in her clipboard. She is not a very good listener.

I clear my throat. “Yes, we thought it was me,” I say. “My eggs, you know, because usually it’s the woman, but now we think it’s not. I took that test where they inject this…”

She swivels back to Bert. She says, “Well, let’s do a quick exam.”

Dr. Foote rises from her stool, sets her precious clipboard on the counter by the sink. She says, “Stand up and drop your pants and underwear to the floor.”

Bert’s expression says, Yikes!

I point at me and then point at the door, like, you want me to leave? Bert shakes his head no.
From a cardboard box, Dr. Foote pulls a pair of heavy blue latex gloves, stretches them over her hands.

Bert stands, unfastens his belt; his pants and boxers fall to the floor. Bert’s naked half torso in profile. Dr. Foote facing him, blue hands reaching out.

I turn my head toward the pile on the loveseat, cross my legs, pick up my purse. I look really hard for something to look for. My hand trolls the bottom of the bag. Keys; pen; chapstick! Perfect. Put on that chapstick, take your time. Really smooth that waxy chapstick all over your lips.

Dr. Foote’s blue hands feel Bert’s testicles.

Do not stare. Do not seem uncomfortable. This is all perfectly normal.

There is no comforting small talk.

The sounds of give and stretch of blue latex over skin.

I check the inside of my purse again. Probably I should put on some more chapstick. Yup, that’s better. Maybe I’ll just check my phone. No messages. All-righty. No problem. There’s probably an old mint in here somewhere.

Dr. Foote says, “Okay.”

Oh thank god.

Bert leans down to pull his pants up.

Dr. Foote says, “Now just turn around and lean against the exam table. I’ll check your prostate.”

Thursday, October 14, 2010

the body show benefit: spotlight on matt bors

Over on Nora Robertson's page, she's going to be putting out a few pre-show teasers for her upcoming event The Body Show Benefit, in the days leading up to November 3rd. As one of a bunch of really cool participants in that event (I'm not meaning to call myself really cool, but it would take too much early morning effort to restructure the sentence to take the me out of that part), I thought it would be fun to re-post them here.

I think we should call these posts...



Here, in Nora's voice, is #1: Matt Bors.

Portland cartoonist Matt Bors recently traveled to Afghanistan with Ted Rall to cover the state of the country. I happened to catch his and Ted’s panel presentation at Wordstock and was super intrigued by their experiences as the sole team of unimbedded journalists covering this conflict in a place where no one, literally no one, goes on the streets at night. There was one leg of the trip where they had to fly over despite the excellent condition of the roads because even at I believe it was $2,500 the two were offering to take them, it was not worth it to the driver. If he was caught with Matt and Ted, the driver would be killed, and if he was caught on the way back, he’d be robbed of the cash and his car. One lady from the audience: how do you get there? Do you have to have special permission? Ted and Matt: You just go! It’s an ally to the US. Though the State Department will tell you not to.



To see more of Matt Bors, albeit in a less serious context, catch him as a contestant in the Voodoo doughnut contest in the upcoming Body Show Benefit on Nov. 3rd at Someday Lounge, eating doughnuts creatively. Judged by Tres Shannon, Tiffany Lee Brown and Shannon Wheeler. Door at 7PM, 7:30-9:30PM, $5-15 sliding scale.